Pellicola negativa a colori HARMAN technology SWITCH AZURE 125 (Rullo 120)

The color shifts are wild but predictable once you get the hang of it — blues turning to orange make landscapes look like they’re from another planet. Loaded it in my medium format camera for a weekend shoot and every frame came back with that surreal, painterly look I was hoping for. Definitely buy

Shooting a roll at ISO 125 in bright sun gave me such clean, fine grain, and the way it flipped blue skies to orange was wild—my portraits looked like they came from another world. The C-41 process meant I could drop it off at any lab without special handling, which made experimenting feel low-press

I was skeptical about the color shift at first, but the way it turned my beach photos into an orange-and-yellow dreamscape is unreal. The ISO 125 speed worked perfectly with my medium format camera on a bright afternoon.